Botanical studies

During the past holiday weeks I decided to start working on some botanical sketches of leaves, just to start looking into the never-ending shades of greens and how to achieve them. I'm finding it very daunting yet fascinating. During the last year or so I started studying colours very thoroughly and in doing so I took out all the colours of my palette that didn't have the features I needed to achieve my goals. I ended up using a rather limited choice of favourite pigments which has been able to provide me with any colour I needed so far. I like keeping it simple to get the best and most varied mixes out of them. It worked, until I started mixing to match those greens... Any thought from the botanical artists reading this will be much appreciated.
http://matteogrilli.blogspot.com.au/

Playing with greens - Sigrid Frensen

Yesterday I was mixing greens. Just experimenting with my browns, yellows, blues and greens. I got some really nice colours but didn't do much with it. Rather stupid not to make something nice with it, I thought. So I started this little memory of a walk through the forest I took last year.

I used a reference photo too but didn't look too much at it. I think the greens I used are a bit more springtime than they actually were when I took that walk (October).
I never work this "free", it's a bit uncomfortable for me but sometimes it's nice to let yourself go and do something entirely different.

Starfruit ~ Sigrid Frensen

It has been too long since I posted something. I was just too busy taking care of sick children and going on a holiday. But yesterday I finally found some time to paint something again. On Flickr, in the *Watercolourist, Painting with light* group there was a nice challenge photo. Two carambolas (or starfruit). The colours were so bright. Green colours, almost toxic, you don't always see in nature. So I thought this would be a lot of fun to explore the greens.

I soon found that the best, most explosive green I could get was by mixing Winsor&Newton's Lemon Yellow and Hookers Green. For the shades I used Indigo, Caput Mortuum with the green. The browns were Raw Umber and some Burnt Sienna. Some small details were added at the end using a bit of Sepia.

Gosh, this was really fun!

Turned Leaves

I promissed to show you some more results from my botanical drawing course. On Tuesday we did a practice with leaves. How to draw and paint twisted, folded and turned leaves. Most of the ladies in the course made a drawing/painting of a hosta or Persicaria leaf. I was the only one drawing this leaf. The woman who brought this leaf to the course told me it was a Helianthus leaf. But I have big doubts about that. But it doesn't matter very much. It's only a practice after all.

Greens are difficult and leaves can be so very, very hard to draw well. Actually I admire artists that paint a lot of foliage. To paint one or two beautiful leaves is great of course. But to paint a whole bunch of them and do them perfectly.... sigh..... I just don't have the patience to do that.

Anyway... Here's the drawing. Coloured pencil again. And I must say that I'm pretty pleased with it. The fade-away distant colours just happened. I didn't think too much about that.

I had some trouble with the pencils though. The tutor, Valerie Oxley, brought some pencils to the course. I could use them if I wanted to. A nice way to try out some other brands. I tried some greens from the Derwent Coloursoft series. I wish I hadn't. I picked a beautiful Dark Green colour. A super colour for the shadow parts in this leaf. But when I burnished some of it with my white pencil the green turned into a viridian/ cobalt blue greenish colour. Very bright. I tried to get it all out of the leaf, but as you can see... here and there I couldn't. Never mind. It was a good practice and now I'm very sure I don't like the Derwent coloursoft pencils.