William Morris Inspired Botanical Drawing

Weaving plant branches and being inspired by William Morris

I have been working on the successor of ‘Praising Plants‘, ‘Ode to All Oak Trees‘ and ‘Sophisticated Succulents‘ by returning to William Morris. 

For years, William Morris didn’t appeal that much to me because I was under the influence of Dutch Baroque floral painters. They, as no one else, could create depth and a feeling as if you were looking at a real bouquet. They positioned their composition in such way that a large flower vases, filled with many different seasonal flowers, would stand proudly on show and you could -in your mind- walk around it. You would admire not only the flowers but also water-drops and insect that rested on big and small petals. But, of course, you were looking at an illusion. Dutch floral painters studied flowers, one by one, made sketches on them, and then set up a composition as if all flowers were all in bloom at the exact same time, which is never the case in nature. A wonderful illusion; a much admired illusion.

William Morris looked one-dimensional compared to these baroque painters, yet, I learned to see that, compared to many modern flower designs, Morris certainly isn’t one-dimensional. He may not create as much depth as I would like to see, but he weaves flower stems, creating a feeling as if you are in nature, looking at bushes, trees, and flower beds. Some flowers are near, some further away. William Morris educates and inspired us with his design, botanical knowledge, and colourful palette. 

Morris scatters and extends broad leaf foliage, flowers, and sometimes animals for the purpose of creating a repetitive, yet not too repetitive, design. There is a difference in what we expect from wall-paper, a painting, or a mural. We expect a mural to trick us like Harry Potter on Platform 9 ¾ : we like to run into the world that is suggested by a mural. Wall-paper, on the other hand, aims at supporting the design and décor of a room. Wall-paper must suggest less depth than a mural or painting, but more than a brick wall, by for instance weaving the stems of flowers and using the technique of foreshortening. Morris does exactly that however not overly.

I have drawn this large graphite drawing with so much pleasure although that I grew dizzy of the swirling botanical patterns. But isn’t elegance worth a bit of suffering, isn't it?

(I feel the need to apologise for the quality of the photo. The photo looks sharp on my computer but blur on Blogger. There is a larger and sharper photo at Etsy or my blog).

Paula Kuitenbrouwer   

Artist info: Arches paper & Derwent H2 to H7. Acanthus grows in Dutch gardens. I haven't found it growing outside (botanical) gardens.

After ‘Praising Plants’ followed ‘Ode to All Oak Trees’. Allow me now to present ‘Sophisticated Succulents’. This softly rendered graphite drawing shows Living Stones, Echeverias, and String of Pearls succulents, plus many more. Of course, setting up this composition made me buy a few more succulents which was part of the joy of drawing this ‘desert garden’. 
Initially, I liked to add the title ‘Sophisticated Succulents’ in classical, elegant letters but then I thought no. Succulents aren’t elegant. They are cute but basic, strong and bulky. They spend all their lives surviving harsh conditions. Thus, I added a letter type that resembles their shape; basic, cute, bulky, as if full with stored water. I am always amazed and delighted how much thinking goes into a square inch of a detailed drawing. 
Succulents grow in the Netherlands indoors. You can put them outside during the summer, but I prefer them indoors for keeping dry and happy. I lost succulents to root rot, which happens when their soil doesn't dry out enough. 

What is your most inspiring succulent related place? A desert? A shop? Mine is the Desert Garden of the Schönbrunn Palace in Vienna.

Paula Kuitenbrouwer 
At Etsy